
Eight years after Peter Jackson first hit upon the idea of
bringing The Lord of the Rings to the big screen, his ambitious
dream has been realized. Here, in the first of a two-part
interview, the director draws a deep breath and looks back at his
monumental achievement, from its surprising beginnings to its
triumphant conclusion.

It's been a long journey. Now that it's over, what are you
feeling?
Well, it's very mixed feelings. I know there won't be The Lord of
the Rings anymore for us, which is sad. But it's also okay,
because we've put our heart and souls into this project and we
made three movies that really don't belong to us anymore. They're
out there for other people to enjoy, and it's time for us to move
on.

Did you grow up reading the books and dreaming of making them
into films?
I think it was 1978 or 1979 when I first read the books. I was
going on a train journey to Auckland, to attend a course as a
photo engraving apprentice, which was my job at that time. And I
thought, what on Earth can I do on this 12-hour train journey? So
I bought myself The Lord of the Rings, and I sat there watching
the landscape of New Zealand sliding by the train window while
reading the story.

Is that when the idea first popped into your head to adapt the
book for the big screen?
I would love to say I had this vision of making the film, but
when you're 18 years old and a photo engraving apprentice you
can't possibly imagine you're going to be making The Lord of the
Rings one day. I thought, wow, this will make a great film, I
can't wait until somebody else makes it. I never ever dreamt it
would be me.

When did you first realize you might be able to tackle it
yourself?
We were making a film called The Frighteners in 1995, and it was
the first time we used extensive computer effects. We had set up
this little company called WETA, and we were doing these ghost
effects and I was starting to get very excited by what computers
could do. It was a realization we had arrived at a time when just
about anything you could imagine was possible to put on film.

Which made you think…
…what type of film have we never really been able to do that
could now happen? And I thought fantasy, a film with huge cities,
creatures, battles -- things that up to now really been
impossible to show on film. And The Lord of the Rings came into
my mind. It had been nearly 20 years since I had read the book,
so I immediately read it again. In fact, I still had my same old
copy on the shelf.

Where did you go from there?
I made a phone call to my agent and asked him if he could explore
who had the rights to The Lord of the Rings. I was imagining it
would be secured in the vaults of some studio or corporation, and
wouldn't be accessible. It was only through a series of very
lucky, fortuitous circumstances that we managed to actually get
the rights.

What was the biggest challenge about adapting The Lord of the
Rings to the screen?
Well, the book is incredibly long. We overcame that to some
degree by being able to do three movies, which was the greatest
thing that could ever happen to this project. But even so, it's a
very complicated book. Tolkien fleshed out the characters and the
events with all this backstory. That's fine for a book, but it's
really hard to put into screen. Except without it, you can't
really tell the story properly. So, how much detail we gave as
opposed to how little detail we could get away with was very
important.

And, of course, there are so many characters.
Normally in a movie you wouldn't choose to have as many
characters as we had to deal with. And we obviously removed a
huge amount of characters from the book. The ones in the film
were just about the limit of what we could manage with our screen
time and with the structure and telling the story.

What was your philosophy to casting this film?
There were two things: One was finding actors to represent some
of the most beloved characters in history. Everybody that has
read the book has imagined Frodo or Gandalf or Aragorn or Arwen,
and we felt that responsibility acutely. The other thing was to
make sure these actors were actually nice people. We were going
to have to work with them for three years, and that's a long time
to work with someone you don't like. We were lucky, we got it
right. They have been the most wonderful cast.

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